The Francis J. Greenburger Award invites a renowned artist, gallerist, writer, museum professional and collector to each select one recipient whom they believe to fulfill the mission of the award.
Click here to download the 2015 Francis J. Greenburger Awards catalogue.
The 2015 winners are:
Charles Juhász-Alvarado, Polilla renacentista (Renaissance Termite), 2008, Wood, wicker, ropes, metal and soundtrack in collaboration with Fabian Wilkins, 22 x 12 x 3 feet
Courtesy of the artist
Charles Juhász-Alvarado (selected by Ursula von Rydingsvard) grew up between Puerto Rico and the Dominican Republic. He completed both his Bachelor's and Master's degrees in Art at Yale University. He currently resides in Puerto Rico, and is a professor of sculpture at the School of Fine Arts (Escuela de Artes Plásticas). His work investigates, through craft, the diverse socio-cultural influences, frequently alluding to his own heterogeneous background and the historical and political conditions of the geographic and imaginary spaces that shape his relationships. Through written narrative, performance, audio, sculpture and collaboration, his projects seek to actively integrate the public within a realm of open fiction.
Steve Wolfe, Untitled (The Beatles), 1992-1994, Oil, enamel, lithography, modeling paste on two boards, 20 1/2 x 34 1/2 inches (overall)
Courtesy of the artist and Luhring Augustine, New York
Steve Wolfe (selected by Roland J. Augustine) re-creates worn books and used records, primarily from the 1960s and 1970s, that have influenced his own personal and artistic sensibilities. Working in the tradition of trompe l'oeil, Wolfe creates pieces that quite literally "fool the eye" on first inspection. These tattered books and worn LPs are tangible manifestations of a fertile moment in American intellectual history. Wolfe's faithful reconstructions evoke an unexpected play between humble self-effacement and culture's powerful capacity to have impact on one's existence. Steve Wolfe's work has been collected by numerous prominent public and private collections, including The Whitney Museum of American Art, The Museum of Modern Art, New York, The Menil Collection, Houston, The Dallas Museum of Art and the San Francisco Museum of Modern Art. In 2009 he was the subject of a solo exhibition at the Whitney Museum of American Art, which traveled to the Menil Collection, Houston and the Los Angeles County Museum of Art.
Alison Knowles, Alike as Two Peas in a Pod, 2011, 28-1/2 x 32-3/4 x 3 inches
Courtesy the artist and James Fuentes
Alison Knowles (selected by Claire Bishop) is a Fluxus artist who works across media, including performance and experimental book art. In 1966, Knowles' The House of Dust, part of James Tenney's mainframe computer work in chance based, or aleatory, art was recognized at the time as the first computer poem on record, and won a Guggenheim Fellowship in 1968. Residencies include Berlin DAAD (1983), guest professor at Documenta X in Kassel, Germany (1997), and the Radcliffe Institute for Advanced Study, Harvard University (2009). Knowles work has been in shown in major exhibitions at the Tate Museum, London (1968), the Guggenheim, New York (2009), MoMA, New York (2011), and Walker Art Center, Minneapolis (2014). In May 2011, Knowles was invited to appear at The White House in An Evening of Poetry. She is represented by James Fuentes at 55 Delancey Street.
Suchan Kinoshita, TOKOKOMA, 2012, Various materials, Liege, a collaboration with Aglaia Konrad, Willem Oorebeek, Eran Schaerf, Olivier Foulon, Walter Swennen, Kris Kimpe, Joerg Franzbecker
Courtesy of the artist
Suchan Kinoshita (selected by Oliver Kruse) was born in Tokyo, Japan. She moved to Germany to study music in Cologne. She participated in Theater am Marienplatz (TAM) in Krefeld Fischeln from 1983 to 1989. She performed in pieces by composers including Carola Bauckholt, Mauricio Kagel, Dierter Schnebel, Gerhard Rühm, and developed her own works. She then pursued postgraduate study at the Jan van Eyck Academie from 1988-90. Kinoshita won the Prix de Rome in 1993 and was selected for the PS1 Studio Program in New York from 1993-94. Her visual art has been shown in many solo and group exhibitions internationally, including Suchan Kinoshita: In 10 Minuten at the Ludwig Museum, 2010; Eerste Huwelijk - Tweede Huwelijk [First Marriage, Second Marriage], M HKA Ensembles, Antwerp, 2002; and this is the show and the show is many things, S.M.A.K., Gent, 1995. She has been teaching at the Art Academy in Münster, Germany since 2006.
Malcolm Morley, Rat Tat Tat, 2001, oil on linen, 94 x 197 inches (238,8 x 500,4 cm)
Collection of The Metropolitan Museum of Art, New York, Courtesy of the artist and Sperone Westwater, New York
Malcolm Morley (selected by Andy and Christine Hall) is a painter who has been acknowledged as one of the earliest innovators of "super-realism," which developed as a counterpoint to Pop Art in the 1960s. Over the course of his distinguished career, Morley has defied stylistic characterization, moving by turns through so-called abstract, realist, neo-romantic, and neo-expressionist painterly modes, while being attentive to his own biographical experiences. He has exhibited across Europe and North America since 1964. His first retrospective, organized in 1983 by the Whitechapel Art Gallery, travelled to the Museum of Contemporary Art, Chicago, and the Brooklyn Museum. In 1984 he was awarded the inaugural Turner Prize. He also received the Painting Award from the Skowhegan School of Painting and Sculpture in 1992, and has been inducted into both the American Academy of Arts and Letters and the American Academy of Arts and Sciences. Recent exhibitions include "Malcolm Morley in a Nutshell: The Fine Art of Painting 1954-2012" at the Yale School of Art (2012), an exhibition exploring the role of paper in Morley's art-making process at the Parrish Art Museum (2012-13), and an exhibition at the Ashmolean Museum, Oxford, organized in collaboration with the Hall Art Foundation (2013-14).
The 2015 presenters are:
Ursula von Rydingsvard creates massive, abstract sculptures resemble wooden bowls, tools, and walls, echoing the artist's family heritage in pre-industrial Poland before World War II. Von Rydingsvard has received many awards, including a Joan Mitchell Award (1997); an Academy Award from the American Academy of Arts and Letters (1994); fellowships from the John Simon Guggenheim Foundation (1983) and the National Endowment for the Arts (1979, 1986); and exhibition prizes from the International Association of Art Critics (1992, 2000). Major solo exhibitions include Yorkshire Sculpture Park, Wakefield, England (2014), Galerie Lelong, New York, NY (2014), SCAD Museum of Art, Savannah, GA (2013), Sculpture Center, Long Island City, NY (2011), Madison Square Park, New York (2006); Neuberger Museum, Purchase College, State University of New York (2002); and Storm King Art Center (1992), among many others.
Roland J. Augustine co-founded Luhring Augustine Gallery with Lawrence R. Luhring in 1985. The gallery, now located on 24th Street in Chelsea with an additional exhibition space in Bushwick, Brooklyn, represents an international group of contemporary artists and also specializes in the resale of historical works, from art of the mid-nineteenth century to the present. Augustine currently serves on the board of several businesses, foundations, and humanitarian organizations including Bard College, AXA Art Insurance, and the Felix Gonzalez-Torres Foundation.
Claire Bishop is an art historian and critic. She currently teaches Contemporary Art at the CUNY Graduate Center. Prior to this, she taught at Warwick University (UK) and the Royal College of Art, London. She is a regular contributor to Artforum and has had numerous books published. In addition to her criticism and scholarly work, she has curated exhibitions of art.
Oliver Kruse is the chairman of the board of the Insel Hombroich Museum in Neiss, Germany. He is a professor at the Peter Behren School of Architecture, Dusseldorf, and has been a member of the board of Architecture Omi since 2009. He also maintains an artistic practice, working in sculpture, drawing, and video, which he has been exhibiting since 1993.
Andy and Christine Hall have been collectors of contemporary art since the 1980's. Together, in 2007 they founded the Hall Art Foundation, which makes postwar and contemporary art works from its own collection and that of the Halls available for the enjoyment and education of the public.